Zaradi dobrega odziva smo, ob nespremenjeni ceni, dogodek razširili in vključili tri mednarodno ugledne profesorje, poleg prof. Daliborja Miklavčiča bosta svoje znanje predajala še prof. Henry Fairs (Anglija) in prof. László Fassang (Madžarska/Francija).
URNIK ZA 24. septembra 2017:
REPERTOAR (po želji)
– poljubne skladbe po izboru udeležencev
– predstavitev ičinkovitih načinov vadenja in memoriranja
– o različnih obdobjih in slogih glasbe
– učinkovito premagovanje treme
LITURGIČNO ORGLANJE
– iznajdljivi načini registriranja pri spremljavi
– kako najbolje izkoristimo različne manuale orgel
– verzije spremljav brez pedala, s preprostim pedalom, z zahtevnejšim pedalom
– kako preverimo, če so orgle v tehnično dobrem stanju; kdaj so potrebne servisa/uglaševanja
OSNOVNI “TRIKI” IMPROVIZACIJE
– razni uvodi, medigre, poigre… prilagojeno potrebam udeležencev
– osnovne harmonije in “kaj je kontrapunkt”
– glasbena oblika pri improviziranju
Dalibor Miklavčič je izkušen podajalec znanja na orglah. Poučeval je tako na preprostih tečajih za domače cerkvene organiste ( npr. v organizaciji Slovenskega Cecilijinega Društva) kakor tudi organiste na vodilnih svetovnih inštitucijah: Royal College of Music v Londonu, Kraljeva akademija za za glasbo v Kopenhagnu, Konservatorij Čajkovski v Moskvi, Kraljeva glasbena akademija v Madridu, glasbene Univerze na Dunaju, v Varšavi, Budimpešti, Zagrebu, Lübecku… Na Univerzi za glasbo v Gradcu je nekaj let vodil lasten razred organistov (poučeval je glavna predmeta Orgle in Orgelska improvizacija), trenutno pa poučuje na Akademiji za glasbo v Ljubljani ter v Zavodu sv. Stanislava.
László Fassang je na svetovnem odru eden najbolj vsestranskih organistov. Posveča se repertoarju in improvizaciji tako na modernih kot zgodovinskih orglah, fortepianu, klavirju, čembalu, celo na orglah Hammond, v najrazličnejših glasbenih žanrih in govoricah od srednjega veka in baroka, klasike, romantike, vse do etno glasbe. Iz orgel je diplomiral na Franz Liszt Music Academy v domačem mestu in nato študij nadgradil na pariškem konservatoriju CNSMD (orgle: Latry, Bouvard; improvizacija: Lefebvre). Danes je profesor ravno na obeh omenjenih ustanovah: kot prvi nefrancoski organist v zgodovini te ustanove poučuje improvizacijo za organiste ter za pianiste v Parizu; v Budimpešti pa predmeta Orgle in Orgelska improvizacija. Leta 2000 je prekinil vse dejavnosti v Evropi in za eno leto odšel na Japonsko kot organist na novih orglah v Sapporo Concert Hall. V letih 2002 in 2004 posegel po najprestižnejših nagradah orgelskega sveta: 2002 v Kanadi: Calgary Gold Medal za improvizacijo, 2004 pa Grand Prix de Chartres in hkrati nagrado publike v Chartresu/Francija.Letos jeseni bo kot solist z orkestri koncertiral v novi hamburški Elbphilharmonie z orkestrom Amsterdam Concertgebouw Orchestra, nato pa sledijo Kölnska Filharmonija, dvorana Bozar v Bruslju, Palača umetnosti Müpa v Budimpešti, Concertgebouw v Amsterdamu, Pariška filharmonija, Victoria Hall v Ženevi in filharmonija v Seulu/Koreja.Občasno sodeluje, predvsem kot improvizatror, s francoskimi jazzovskimi in madžarskimi etno glasbeniki.
Henry Fairs is Head of Organ Studies at Birmingham Conservatoire, Organist to the University of Birmingham and Honorary Professor of Organ at the University of St Andrews. He has won ten prizes in international organ competitions, including the Prix Maurice Duruflé, Chartres; Concerto Gold Medal, Paris; First Prize & Special Prize, Odense. Henry has appeared in festivals throughout Europe and in North America, Canada, Russia and Japan, performing solo recitals, broadcasts (BBC, BR, MDR, Danish Radio) and concertos on both historic and modern instruments. He is regularly invited to serve as a jury member (Odense and Wadden Sea competitions, Denmark; Silbermann Wettbewerb, Germany), examiner, guest tutor and speaker. His students include a number of prize-winners in international competitions. Born in Hereford in 1976, Henry received his earliest musical training as a chorister at Leominster Priory and studied at the Birmingham Conservatoire, where he graduated with First Class Honoursand was a prize-winner at the Fellowship diploma of the Royal College of Organists. A scholarship from the Countess of Munster Trust enabled postgraduate studies in Paris, Cologne and Vienna. Important teachers and influences have included David Saint, Susan Landale, Thierry Mechler, David Sanger and Michael Radulescu. He enjoys playing and teaching a broad, eclectic repertory:currently with a strong focus on the organ output of JS Bach (in a project involving research and performance of the organ works) and the chorale fantasias of Max Reger. In addition, he has in recent years been occupied with the performance of 19th- and 20th-century music, including complete performances of organ music by Jehan Alain (2011), Liszt (the three great works -2011), Reubke, Olivier Messiaen (2008) and Maurice Duruflé ( Naxos 8.557924). Henry was closely involved with the recent installation of the landmark new organ at the University of Birmingham and will be responsible for commissioning a number of new instruments at Birmingham Conservatoire’s new home over the coming years. “Fairs emerges as a top-notch performer. His registrations, tempos, and sensitivity to subtle nuances in phrasing and articulation are superb.” American Record Guide
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